The artist as the “glow maker”-in front of the Yage painting. The perceptual intention is to show how certain colors-yellows, ochre, sanguine, etc. have a glowing effect that has incorporeal qualities. But the artist is just posing, and his only “vision” is the archival of the moment. He is a trickster making fun of the type of easily achievable self-importance look, so common in artwork documentation.
|Type of Work||Installation|
|Medium||Multimedia-metal cage, 3D printed mask, film camera on a tripod, salt block, rocks, 3 paintings, Shaman artifact, Shaman paraphernalia, daybed, drift wood, glass art, indigo ink colored sculpture, neckties, misc. items|
|Subject Matter||Aisthesis is the Greek word best describing the innumerable, and unnamable perceptions in existence. Aisthesis is the root of the word aesthetics. The artwork attempts to distinguish animism as the aisthessis infinite embodiment, versus aesthetics as Anthropos finite choice.|
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